In Which Your Host Gets Grilled

Standard

As part of the blog tour, I was interviewed by blogger Lisa Haselton.

 

Please share a little bit about your current release:

An Unproven Concept is what would happen if you put Battlestar Galactica, Robotech, and Space Battleship Yamato into a cloning vat then had George R.R. Martin raise the baby.  The book centers on three vessels, the battlecruiser Constitution, the destroyer Shigure, and the starliner Titanic, as they deal with Humanity’s first encounter with aliens.  Without giving away too much, the Titanic is not where she’s supposed to be, and thus gets caught up in the conflict between the two naval vessels and the hostile craft.

If you like capital ship combat, it’s in here.  Flawed characters without “hero shields?”  If this was a list of ingredients, it’d be number two.  Mecha and starfighters?  In abundance.  It has received positive reviews from Amazing Stories, Reader’s Choice, and Pop Cults, with a solid 4-star rating on Amazon.

What inspired you to write this book?
Back in 2006, I entered a short story contest with a novella entitled “On Their Behalf…”  Several of the judges stated the original storyline was simply too broad to shoe horn into 15,000 pages, but that it sounded like a great concept for a novel.  Six years later, I wrote another novella entitled “Ride of the Late Rain.”  Again—great concept, but the judges felt I was trying to compress too much into one storyline.  So, after I had success with “Ride of the Late Rain” as a novella via Kindle, I decided to go ahead and do An Unproven Concept as a full novel.  The Kraken Edition combines both “Ride of the Late Rain” and An Unproven Concept.  You can read an excerpt on my blog here.

What exciting story are you working on next?
In between trying to chop down my dissertation, I’m working on Though Our Hulls Burn…, the sequel to An Unproven Concept.  It will basically explain some of the prior events referenced in Concept, specifically how the Spartans came to be part of the Confederation of Man.

When did you first consider yourself a writer?

When as a 14-year-old I tried to submit a bunch of long hand story parts to a New York publisher.  I cannot remember how, but I’d acquired one of those “Writer’s Guide” that had every publisher listed and the address for their slush pile.  I figured of course they had people to type things up—that’s why they were a publisher!  I don’t think I tell many people that story—because I think my younger self was a wholly optimistic ignoramus knowing what I know now.

Do you write full-time? If so, what’s your work day like? If not, what do you do other than write and how do you find time to write?

On top of my day job, I have a commute that’s over an hour long each way, plus am finishing off a dissertation.  How do I find time to write?  I have a patient, understanding spouse who is also an author.  I also belong to an active writing group that is really good about trying to get together to get some words down.
What would you say is your interesting writing quirk?
Friends and family point out that I really don’t have a “writing” versus “speaking” voice.  I never really thought of the two of them necessarily needing to be separate.

As a child, what did you want to be when you grew up?

I actually wanted to be a fighter pilot until my eyes went bad in the 5th grade.  I was heartbroken, and it took a couple years for me to truly accept that dream was pretty much finished when I couldn’t read the blackboard from the front row.

Anything additional you want to share with the readers?

On my FB page is a sign up for my mailing newsletter.  Also, my novellas Pandora’s Memories and A Midwinter’s Ski are available as “perma free” offerings from Amazon.  

 

 

Rogue Angels’ Interview

Standard

So I’m in the midst of doing a blog tour through Goddess Fish.  I intend to do a rundown of things, but I thought I’d catch everyone up with what blogs I’ve been doing.  This post was done for Rogue Angels in support of On Seas So Crimson:

  1. What or who inspired you to start writing?

I’ve always been an avid reader from when I was little.  Growing up on a small farm that was miles to the nearest neighbor, I used to sometimes act out things that I read in books.  (John Carter was a favorite…darn Earth gravity.)  Eventually I also started writing things long hand, and the rest is history.

 

  1. What elements are necessary components for your genres?

I think the biggest components for any genre, not just sci-fi or alternate history, is that you have to have a compelling set of characters.  In the case of the former, that is followed by some aspect of escapism that will allow readers to separate from their daily drudgery into a different universe.  The reasons why Star Trek and Star Wars have been so successful is we’ve come to care about the individuals involved.

Alternate history is a bit different in that the main compulsion lies in the historical pivot.  Most of the “characters” are already known to the readers, but the changing situations are not.  For instance, in my Usurper’s War series, most World War II historians are familiar with Heinrich Himmler as the head of the SS.  However, knock off Adolf Hitler and Hermann Goering, and suddenly he’s in a vastly different role as Fuhrer.  That what if transitioning to what now is the genre’s foundation in my opinion.

  1. How did you come up with the ideas for your novels?

A lot of time it’s a combination of what I’ve read and random inspiration.  For On Seas So Crimson, it was a discussion back in the ‘90s about how World War II could have been different.  For An Unproven Concept, it was being a fan of the old Robotech novels, Star Wars, and the old school Battlestar Galactica.

  1. What expertise did you bring to your writing?

I’m actually getting my doctorate in U.S. History and majored in Military History from West Point.  I’ve placed in historical essay contests and have been published in both Proceedings (the United States Navy and Coast Guard’s professional journal) and the Journal of Military History.  So in the alternate history arena, it could be said that “I’m a professional.”

Alas, I have no experience with commanding a starship or flying mecha in real time.  If any travelers from the future or distant galaxies want to change that…

  1. What would you want your readers to know about you that might not be in your bio?

I’m blessed to be part of a community of writers in Kansas.  Everything from Star Trek to Sherlock Holmes through zombies, I’ve got people who can hook you up.

  1. As far as your writing goes, what are your future plans?

At the moment, I’m working on Though Our Hulls Burn…, the sequel to An Unproven Concept.  I should have my dissertation done by the end of the year, so that will give me more time to work on the third book in the Usurper’s War as well.

  1. If you could be one of the characters from your books, who would it be and why?

This is the point I see a few of my local writer’s group chuckling, as I have a reputation for being a little brutal to my characters.  I’d have to say Jason Owderkirk, the Commander Air Group (CAG) for the C.S.S. Constitution.  Mainly because he has it relatively easy (so far) in the Vergassy Universe.

  1. Do you belong to a critique group? If so how does this help or hinder your writing?

Yes and no.  My local library is incredibly supportive of local authors, with one of the librarians being the Municipal Liaison for Nanowrimo.  This has created a strong community of writers, and we’ll help people out if asked.  So yes, I’d say that finding a critique group is definitely a fruitful exercise.

  1. When did you first decide to submit your work? Please tell us what or who encouraged you to take this big step?

If we’re talking originally, I submitted my work to agents and publishers back when I was in high school.  Looking back, I think the main impetus was that I had no idea how publishing worked, so I figured there was no harm, no foul in submitting.

  1. Do you outline your books or just start writing?

A little of both.  I’ll often have a scene just come to me while I’m driving to work or doing something else.  For example, the ballroom scene from An Unproven Concept just popped into my head.  I was fortunate enough to find a great concept artist, Justin Adams, who was able to convert words to picture (see below).