So for about two months now, I’ve been having to sit on the line up for Trouble In The Wind. Behold, the magnificence of the headliners…
If someone had told me when this whole indie thing got started, “Hey, you know someday you’re going to be editing an alternate history anthology with S.M. Stirling in it?”, I would have advised them to lay off the peyote. If they’d then added the rest of the names on that list? Well, I would have slowly backed away while searching for a weapon to deal with the crazy person.
I’m astounded and stunned to be working with titans. We won’t even get into Team “And More.” December 13th is the expected release date, so buckle your chin straps.
So I didn’t realize it’s been almost three years since Korn graced a Metal Monday. (Man I wish the sound system had been better for the Topeka concerts.) So, without further ado, we’re going to go back…way back. 😀
Apparently Jonathan Davis wrote the song as an aid to fight against domestic abuse. It’s lyrics are pretty raw, and I’ve had it on as background music for many scenes dealing with an oppressive boss or overlord.
Great Plain Ren Fest this weekend! If you’re in Wichita swing by to say hello!
So I’ll be doing Cincinnati Comic Con 20-22 September. The general floor plan is below:
Booth #520, my digs, is zoomed in on in the following pic:
I hope to see some of y’all there! I love meeting fans in the wild, and this will be my first time in Ohio! Provided Amazon doesn’t botch the shipping, I’ll have copies of all my own books and anthologies there, to include To Slip the Surly Bonds. Which, btw, now has an “orange tag” signifying it was #1 in a category (no, that doesn’t get old typing it!):
Hope to see you guys Friday, Saturday, or Sunday!
It’s the third Monday, and you know what that means–SCORE DAY!
A big trend in trailer music lately has been to update classic, recognizable songs and give them the “Epic” treatment (i.e., soaring instrumentals and drum tracks). If you can hear the “Trailer Voice” guy narrating your book trailer to one of these songs, that’s kind of the point. 😀
Speaking of climatic scenes, two bits of info. First, just a reminder, To Slip the Surly Bonds dropped last Friday (print cover shown to cover the additional cover art awesomeness!):
It has been climbing the charts and was #1 on the Historical Fiction New Release Chart last night (Sunday 15 September 2019 in case you’re reading this much later).
Second, I’ll be at the Cincinnati Comic Expo this week! I will (thanks to the Amazon gnomes getting it done early) have print copies of To Slip the Surly Bonds as well as the first copies of Anita C. Young’s State of Mind artbook! Stay tuned during the week for location and maps!
To Slip the Surly Bonds has gone live on Amazon.
This was a long time coming, but all the hard work has paid off. There’s an exclusive Taylor Anderson short story in here, a whole bunch of award-winning authors, a story from your humble narrator involving P-38s on Guadalcanal…yeah, it’s worth the price of admission.
One of the more romanticized hoaxes of the 20th Century was that of Anastasia Romanov. Basically, for those who are unfamiliar (and don’t want to click on the link), there were numerous women who claimed to be Tsar Nicholas II’s youngest daughter. While their versions of survival differ, all basically rested on the fact that most folks in that basement besides the Romanovs either died shortly thereafter or didn’t want to cop to having helped massacre a bunch of kids. (Rule Bolshevik: Make sure you get EVERYBODY in the line of succession if you’re going to hit the Regicide button.)
One sign of how pervasive and popular the tale was Disney made a movie about it in 1997. I was only recently exposed to the villain’s song from it. I, of course, immediately set about finding a heavy metal version…and found Jonathan Young again. Who, as with last week’s post, once again found a way to make a villain seem far more sinister and creepy than the original.
I think procrastination is the bane of most authors. Having carved out time to write, cleared the calendar, it is all too easy to lose a couple hours on social media or “just one more turn”-ing it through a computer game.
Apparently there’s a study out that shows this may not be “You’re a bad time manager…” but actually “Something is emotionally bothering you.” I’m certainly willing to entertain the argument–I know that emotional upheaval can be a double-edged sword as far was writing motivation goes. (“Double edged?” “Yeah, let’s not talk about the fact the original Will Colfax novel got churned out during one of the most difficult years of my life.”)
So maybe all the advice people give about “clearing your head” before sitting down to write has some merit? Or perhaps that’s why some people write better inebriated, as they’re too smashed to care about the emotional debris flying around in their head space? Food for thought…
So fans of the blog may remember I’ve mentioned how heavy metal lends itself well to certain historical events. You know, things like Biblical Plagues.
Well today on Metal Monday, we’re going back to the well. Folks who were around in the 1990s might remember The Prince of Egypt. One of the musical numbers covered when Moses showed up in the Pharaoh’s throne room and basically dropped the “Hey bro, good to see you. God says let my people go…” and Egypt’s senior priests were like, “Uh, which god again?”
Given that it was a family show, the original was more “Oh Moses, you silly man…” and less “Listen here, He Who Rides In Basket, we are RELIGIOUS NUTTERS and are about to hurt you.” Today’s cover? Well, see for yourself…
Also, the same duo who did this cover also did a version of The Plagues song from the original movie.
Sometimes old videos make a person look at things in different ways:
While I haven’t gotten there yet, this video does make me think differently about jet combat in the Usurper’s War universe. Without giving away spoilers, there will be a pseudo-Cold War in the aftermath of the in universe World War II. Technology and how it works will play a key part in what characters live and die.